
PASSSOCKEL, 2025
In reference to William Anastasi and Yves Klein, the White Cube became mobile during Vienna Art Week: five artists presented their works in portable Passsockel – empty museum pedestals with Plexiglas covers that could be carried like bags.
The title refers to Franz West's Passstücke, which – like the Passsockel – are only activated through action. The Passsockel transform the White Cube from a closed space into a mobile display.
In contrast to the supposed openness of classical institutions, which often only address the "shared space" while structures and decision-making processes remain closed, the Passsockel are actually shared: several artists use them together, move collectively through the city and realise spontaneous, decentralised exhibitions.

Grand Tour, 2024
Fotocollage
Untitled (Diptych), 2025
Inkjet Print, Mounted
Untitled (Hommage à
William Anastasi), 2025
Paper, Cardboard, Polaroid Scan
Yaklaşım/ Annäherung
Istanbul, 2023
Video
#basicneeds, 2023
Ceramic, Glaze
PASSSOCKEL INTERVENTION AT
VIENNA ART WEEK 2025
Video of Passsockel, the Guerilla Passsockelperformance at Vienna Art Week 2025.
Camera by Erik Meinhart.
Cut and voiceover by Hannah Imhoff.

Documentation of the Guerilla Passsockelperformance at Vienna Art Week 2025.
Images: Erik Meinhart
PEACE BE WITH YOU, 2023
Peace be with you, 2023 by Hannah Imhoff
Peace be with you, 2023 was a selected open call submission for a site-specific exhibition at St Saviour's in Pimlico, London.
video: Monika Drabot
images: abellio's CCTV
In "Peace be with you, 2023" , I reflected on our behaviour as passengers on London buses. Noticing that we constantly ignore each other on buses, I invited the passengers during a performance to acknowledge each other's presence, shake each other's hands, and wish each other "peace be with you". This artwork disrupts our social reality and our social conventions of public behaviour in a small way, offering an outlook on how it could be different. However, this illusion of personal contact in a bustling city like London is broken again, by also showing the CCTV camera footage of the performance. While I tried to make the passengers perceive each other as individuals, at the end the CCTV camera anonymised again, and everyone, except me became just a number, a white circle.
As my work circles around social reality, it was important for me to incorporate real bus materials in my installations, ready-made seats that people had actually traveled on for years. So I collected old bus materials from a bus depot and adapted them so, that they serve as a viewing station in a white cube.

Installation in a white cube, in the Triangle Space, a big shared space right at the beginning of the MA Show 2023.


Peace be with you, 2023 was originally an open call submission, displayed in the St. Saviours Church, London.
THE WALKING LINE, 2022
The Walking Line, 2022 by Hannah Imhoff
suitcase, sugar, salt
video: Monika Drabot
Documentation of a performance taking place between my uni, the Chelsea College and the EU, the Lithuania (European) Embassy in the frame of our first Master Show called “Departure Lounge”.


Feeling this work incorporates a lot of my current practise:
It is simple.
It is analog.
It is political.
It is personal.
It is temporally.
It is site specific.
It is minimalistic.
It is participatory.
It is in the public space.
It is inspired by other aritist's: Paul Klee and Francis Alÿs.

Installation shoots of The Walking Line, 2022 in 6th Senses curated by Cecil Quinn & Francesca Christodoulou & Inbetween, 2023 curated by Alex Bal, Haoyue Chen, Kaixin Huang, Aishwarya Korwar, Qingrui Lin & Eva Rondo.
Images: Richard Cook, Monika Drabot & Haoyue Chen
REST HERE, 2023
Rest Here, 2023 by Hannah Imhoff
pallets, wheels, mattress, bedding, string, print on canavas
Documentation of the performance in the city center of Palma, Mallorca that offers people a rest from society during ADEMA II PERFROMANCE WEEK.
Images: Miya Kosowick Mawatari
My aim was to create a desirable object, with which people would like to interact, so that it brings strangers together and creates a shared intimate moment that changes our perspectives. For this I was inspired by Adam Chodzko‘s work „Ghost“, a canoe in which people could lie down and see the sky. I thought that a bed with wheels, where you can lie down and you will be carried through Palma could be similarly interesting. From the bed position you perceive your whole surrounding differently, but you are also perceived differently by people passing by. So the performance is on the one side a kind gesture that invites people to interact and take a rest in the achievement-oriented society. On the other hand, the performance has also something uncomfortable in that it exposes you to foreign looks, and you are made vulnerable by lying down in a bed, a symbol of intimacy in the middle of public space.
Furthermore, the square shape and size of a bed is quite similar to the one of a car and at the same time it could not be more different to a car by missing the protective shells and clearly not belonging on the street.
Rest Here, 2023 was a performance in the city center of Palma, Mallorca that offers people a rest from society during ADEMA II PERFROMANCE WEEK.
Video: Yuying Huang
Are you one of these people?
2023

Are you one of these people?, 2023
During the MA Show 2023 of the Chelsea College (UAL), the collective Successful Artists has set out to ask the public if they self-defined as either of the following: successful artist (yellow), curator (blue), collector (red), gallerist (pink) and critic (green). Each person identifying as none of the above are assigned a grey sticker.
The performance serves as a tool used to highlight the power structures inherent to the art world, and the reliance on the fragile, ruthless ecosystem that upholds them.
Documentation of the Performance Are you one of these people? during the MA Show at Chelsea College of Arts, UAL London. Video: Monika Drabot, Cut: Richard Cook.
Monthly, 2023



Monthly, 2023 by Successful Artists
performative intervention
In "Monthly' the female members of Successful Artists turned up to the opening with period symptoms and didn't care to cover them from the public, much to the displeasure of the man.
Gumtliksgrumslik, 2023

Gumtliksgrumslik, 2023 by Successful Artists
participative installation: chewing gum, colour, wall
In Gumtliksgrumslik the Successful Artists hand out at the entrance door of the gallery chewing gum and let the vistors discover themselves during the exhibition the "street painting" where they could get rid of their chewing gums




















































